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A bed is a piece of furniture or location primarily used as a place to sleep, but can serve other functions.
Beds come in a wide array of shapes and sizes. Early beds were little more than piles of straw or some other natural materials. An important change was raising them off the ground, to avoid drafts, dirt, and pests. Designer Beds from top designers at www.designer-beds.net
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Joseph Hoffman

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J for Arne Jacobsen

Arne Jacobsen was a Danish Jewish architect and designer, exemplar of the "Danish Modern" style. Among his architectural achievements are St Catherine's College, Oxford, work at Merton College, Oxford, the Radisson SAS Royal Hotel, Copenhagen, the Danish National Bank building in Copenhagen, The Royal Danish Embassy in Knightsbridge, London as well as a number of town halls and other buildings in his native Denmark. Jacobsen has created a number of highly original chairs and other furniture. He has received several international distinctions and medals. Jacobsen is perhaps best known for the Model 3107 chair of 1955, known also as the "Number 7 Chair" which has sold over 5 million copies. The Number 7 chair is perhaps best known for being the prop used to hide Christine Keeler's nakedness in Lewis Morley's iconic portrait. Many of Jacobsen's furniture designs have become classic, including the Ant chair from 1952 and the Swan and the Egg which were both designed for the Radisson SAS Hotel. Jacobsen is, however, perhaps best known for the Model 3107 chair of 1955, known also as the "Number 7 Chair" which has sold over 5 million copies. . Morley just happened to use a chair that he had in the studio, which turns out to have been a copy of Jacobsen's design. Since then, Number 7 chairs have been used for many similar portraits imitating the pose. Arne Jacobsen by Arne Jacobsen Domain Names Domain Names

Arne Jacobsen

green car design

J for Jasper Morrison

Jasper Morrison is an English product and furniture designer. Morrison was born in London, England but brought up in New York, USA. He was educated at Bryanston School. He received a Bachelor of Design degree from Kingston Polytecnic Design School in 1982 and a Masters degree in Design from the Royal College of Art, London, in 1985. He also studied at the Berlin University of the Arts Jasper Morrison by Jasper Morrison Domestic Domestic
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Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. It was a tremendous departure from all furniture design that had gone before it. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. Advertisements Advertisements Artists Artists Attractions Attractions designer beds Audio designer Audio Auto Rental Auto rentals Bargains Bargains Bargains Bargains Bookmarks Bookmarks top designers Business Business Calendar Date Calendar Car Rental Cars Christmas Christmas Classes Classes beds Classifieds Classifieds Computer Events designer shop computer beds computer recycling is a growing solution and industry Creative Creative designer Crew Crew beds Dating Dating Jude Frances Jewelry Jude Frances Jewelry Zasha jewelry Zasha jewelry Jude Jewelry Jude Jewelry Zasha Talk Zasha Talk shopping Zasha shopping Zasha Zasha diamond Zasha diamond Zasha ring Zasha ring jewelry world jewelry world famous jewelry famous jewelry jewelry web jewelry web premier jewelry premier jewelry International Zasha International Zasha Zasha bracelet Zasha bracelet
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Florida Beds from Designer Beds acne cares acne cares cafe modern cafe modern cars by design usa cars by design usa designer beds designer beds design studio design studio Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. It was a tremendous departure from all furniture design that had gone before it. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light. dviu DVD las vegas rental cars las vegas rental cars modern club modern club vegas limo rentals vegas limo rentals furniture antiques furniture antiques modern art deco modern art deco beyond furniture beyond furniture designers wanted designers wanted modern current modern current see me dates see me dates pretty city new york pretty city new york luxury auto market place luxury auto market place all free resources all free resources dating register dating register las vegas luxury cars las vegas luxury cars las vegas luxury autos las vegas luxury autos insurance all insurance all las vegas luxury auto rental las vegas luxury auto rental acne days acne days auto fun auto fun auto insurance network auto insurance network Louisiana blues Louisiana blues Georgia Beds
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ero Aarnio is a Finnish interior designer, well known for his innovative furniture designs in the 1960s, notably his plastic and fiberglass chairs. Aarnio studied at the Institute of Industrial Arts in Helsinki, and started his own office in 1962. The following year Aarnio introduced his Ball Chair, a hollow sphere on a stand, open on one side to allow a person to sit within. The similar Bubble Chair was clear and suspended from above. Other innovative designs included his floating Pastil Chair , and Tomato Chair. The Eero Aarnio Screw Table had the appearance of a flat head screw driven into the ground. Aarnio's designs were an important aspect of 1960s popular culture, and could often be seen as part of sets in period science-fiction films. Because his designs used very simple geometric forms, they were ideal for such productions. Eero Aarnio by Eero Aarnio Classes Classes beds

Eero Aarnio

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B for Harry Bertoia

Harry Bertoia was an Italian-born artist and modern furniture designer. At the age of 15 he traveled from Italy to Detroit to visit his older brother, however he chose to stay and enrolled in Cass Technical High School, where he studied art and design and learned the art of handmade jewelry making. In 1938 he attended the Art School of the Detroit Society of Arts and Crafts, now known as the College for Creative Studies. The following year in 1937 he received a scholarship to study at the Cranbrook Academy of Art where he encountered Walter Gropius, Edmund N. Bacon and Ray and Charles Eames for the first time. Opening his own metal workshop in 1939 he taught jewelry design and metal work. Later, as the war effort made metal a rare and very expensive commodity he began to focus his efforts on jewelry making, even designing and creating wedding rings for Charles and Ray Eames and Edmund Bacon's wife Ruth. Later in 1943, he married Brigitta Valentiner, and moved to California to work with Charles and Ray for the Evans Product Company. Evans provided technical work for airplane and medical equipment. Bertoia was also drawing training manuals. At this point they began to experiment with molded plywood under the auspices of their Plyformed Products Company, which was later bought out by Evans. With Eero Saarinen they developed a method for making molded plywood splints that would later evolve into processes for designing furniture. Bertoia remained as part of their staff, working on a variety of projects. Three years later he split with the Eames, concerned that his work was not receiving due credit, and preferring to work with metal rather than wood. In the same year he finally became a US citizen. In 1950, he moved to Pennsylvania, to established a studio, and to work with Hans and Florence Knoll. (Florence was also a Cranbrook Graduate). During this period he designed five wire pieces that became known as the Bertoia Collection for Knoll. Among them the famous 'Diamond chair' a fluid, sculptural form made from a molded lattice work of welded steel. In Bertoia's own words, "If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them." They were produced with varying degrees of upholstery over their light grid-work, and they were handmade because a suitable mass production process could not be found. Unfortunately, the chair resembled an Eames chair so closely that Herman Miller, Eames' distributor, took Knoll to court on the grounds that they were taking wrongful credit for a bent-wire technique owned by the Eames. Herman Miller eventually won and gave Knoll a license to produce the chairs, but knowing that the Eames and Bertoia worked closely for so long, the "genealogy" of inspiration seems difficult and maybe even unnecessary to pin down.


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